Repercussion |

ku lat. repercussio - kusinkhasinkha

1) Mu chiphunzitso cha fugue mu kalembedwe okhwima (J. Fuchs ndi ena), zotsatirazi pambuyo kufotokoza, kugwira mutu ndi yankho m'mawu onse (German Wiederschlag, zweite Durchführung), kubereka kwa kufotokoza ndi wozembetsa. kusintha, mtundu polyphonic. kusiyanasiyana pakuwonekera (mu nyimbo zamakono, mawuwa sagwiritsidwa ntchito; lingaliro la "R." likuyandikira lingaliro la fugue counter-exposure). Liwu limene linapereka mutuwo m’chiwonetserocho lapatsidwa yankho mu R. (ndi mosemphanitsa); mutu ndi yankho mu R. zimayambitsidwa (kawirikawiri pa dissonance) pambuyo pa kupuma kapena kulumpha pamtunda waukulu, kotero kuti choyimba chomwe chikubwera. liwu linamveka mu kaundula wosiyana wa zosiyanasiyana zake; mu R., kusintha kwa mutu kumatheka (mwachitsanzo, kuwonjezeka, kutembenuka), kugwiritsa ntchito stretta (nthawi zambiri kumakhala ndi mphamvu zochepa kusiyana ndi gawo lotsatira la mawonekedwe), ndi njira zina zachitukuko ndi zosiyana. R. kawirikawiri amatsatira kukhudzana popanda caesura; R. ndi gawo lomaliza la mawonekedwe (reprise, final stretta, die Engführung) nthawi zambiri amalekanitsidwa ndi cadenza. Onani, mwachitsanzo, Buxtehude's Toccata ndi Fugue for Organ mu F-dur: exposition - mipiringidzo 38-48; R. - mipiringidzo 48-61; akumaliza. gawo kuchokera muyeso 62. Mu fugues zazikulu, pakhoza kukhala angapo. R.

2) Mu nyimbo ya Gregorian, pambuyo pa finalis, kamvekedwe kofunikira kwambiri kamvekedwe kake ndi kamvekedwe, kamvekedwe, komwe kamvekedwe ka mawu. nyonga (yotchedwanso tenor, tuba). Amawoneka nthawi zambiri kuposa mawu ena; m’nyimbo zambiri za masalmo. khalidwe, kubwereza kwautali kumachitidwa pa icho. Ili pamwamba pa zomaliza, zolekanitsidwa ndi nthawi yomwe imafotokozedwa munjira iliyonse (kuchokera pagawo lachitatu mpaka lachisanu ndi chimodzi). Main the tok of the mode (finalis) ndi R. kudziwa momwe nyimboyi ikugwirizanirana: mu Dorian mode, finalis d ndi R, ndi Hypodorian mode, d ndi f, motsatira, mu Phrygian mode, e ndi c. , ndi zina.

Zothandizira: Fux J., Gradus ad Parnassum, W., 1725 (Kumasulira kwa Chingerezi - Steps to Parnassus, NY, 1943); Bellermann H., Der Contrapunkt, B., 1862, 1901; Bussler L., Der strenge Satz, B., 1905 Teppesen K., Kontrapunkt, Kbh., 1885, Lpz., 1925. Onaninso lit. ku Art. Gregorian nyimbo.

VP Frayonov