Neapolitan chachisanu ndi chimodzi chord |
English the neapolitan sixth, нем. Neapolitan wachisanu ndi chimodzi chord, Neapolitan wachisanu ndi chimodzi, чеш. neapolsky sextakord, frygicky sextakord
Chovala chachiwiri chotsika chachisanu ndi chimodzi (kapena chocheperako chokhala ndi chaching'ono chachisanu ndi chimodzi m'malo mwachisanu). Mawu akuti "N. Ndi.” zimagwirizana ndi kagwiritsidwe ntchito ka nyimboyi pakati pa olemba nyimbo za Neapolitan opera school con. Zaka za zana la 17 (makamaka, ndi A. Scarlatti, mwachitsanzo, mu opera Rosaura). Komabe, mawuwa ali ndi zifukwa, popeza H. s. anawonekera kalekale sukulu ya Neapolitan isanayambe (yolemba J. Obrecht, theka la 2 la zaka za zana la 15).
Я. Iye anazemba. Misa "Salva diva parens", Credo, Confiteor, takty 34-36.
Amagwiritsidwa ntchito kwambiri ndi olemba maiko ndi anthu osiyanasiyana (mwachitsanzo, ndi L. Beethoven). Wolemba mawu akuti "N. s”, mwina, ndi L. Busler (1868), ngakhale pali umboni (X. Riemann) wokhudza kugwiritsa ntchito Chingelezi kwa nthawi yayitali. okhulupirira chiphunzitso (m’mawu achingelezi muli mawu ena atatu oti “sexts”: “Italian” – chord monga as-c-fis, “French” – as-cd-fis and “German” – as-c-es-fis). M'mawu omveka a ma harmonic akuluakulu aang'ono. tonality, masitepe onse amene aphimbidwa ndi unyolo wa 11 magawo asanu (kuchokera chapakati zimandilimbikitsa. asanu - 5 pansi ndi 5 mmwamba), khalidwe phokoso la N. ndi. - II digiri yotsika - imapindula ndi kuzama kwakukulu kwa ma flats (ndipo chifukwa chake ndi galasi lotsutsana ndi phokoso lina lofunika lopanda diatonic - "Lydian" high IV degree; onani Kutengera.) mtundu wa modal (Phrygian) wa N. s. (mtundu wakuda kwambiri umapezeka mumtundu wocheperako wa N. mwachitsanzo, fes-as-des mu C-dur kapena c-moll). Kugwira ntchito N. ndi. - subdominant "yopambana", malire akuyenda kumbali iyi (zomwe zimapangitsa kuti agwiritse ntchito N. s. ngati mfundo yovuta ya chitukuko chogwirizana; onani, mwachitsanzo, kumapeto kwa c-moll passacaglia kwa JS Bach's chiwalo).
JS Bach. Passacaglia mu c-moll kwa chiwalo.
Mkati mwa dongosolo la 7-step diatonic kapena 10-step major-minong system, mwachitsanzo, ndi tonic C - machitidwe:
phokoso la II otsika mlingo, amene anakhala kunja kwa waukulu. masitepe, amayenera kufotokozedwa ngati kusintha, kothandizira kosagwirizana ndi diatonic monga kubwereka kuchokera ku sikelo ya kiyi ina (yocheperako pang'ono) kapena kuchokera kumachitidwe ena (Phrygian) ndi tonic yemweyo (onani ndemanga ya mabuku m'buku la VO Berkov). Mn. ofufuza anamasulira bwino N. wa tsamba. momwe amadziyimira pawokha. mgwirizano, osati monga chromatically kusinthidwa (kusinthidwa) chord (O. Savard, R. Louis, L. Thuil, etc.). Malinga ndi kuwonera kwa VO Berkov, mu nyimbo. palibe pafupifupi zitsanzo za maphunziro a N. njira ina. Kutanthauzira kolondola kwambiri kwa N. s. monga mgwirizano wosasinthika wa machitidwe khumi ndi awiri a mawu ("chromatic", malinga ndi GL Catuar; "diatonic-sound khumi ndi ziwiri", malinga ndi AS Ogolevets). Kuphatikiza pa N. s, "Neapolitan" harmony (Czech frygicke akord)
L. Beethoven. 3 symphony, movement I.
amagwiritsidwa ntchito ngati triad (L. Beethoven, sonata op. 57, part 1, vols. 5-6), quarter-sext chord (F. Liszt, 1st concerto, vol. 4), chord chachisanu ndi chiwiri (komanso mu kufalitsidwa) ndi ngakhale phokoso losiyana.
L. Beethoven. Concerto for violin ndi orchestra, gawo I.
Zothandizira: Rimsky-Korsakov N., Buku lothandiza la mgwirizano, St. Petersburg, 1886, lomweli, Poly. coll. izi., vol. IV, M., 1960; Catuar G., Theoretical course of harmony, gawo 1, M., 1924; Ogolevets AS, Chiyambi cha kulingalira kwamakono kwa nyimbo, M. - L., 1946; Berkov V., Harmony and musical form, M., 1962, pansi pa mutu wakuti: Formative means of harmony, M., 1971; Riemann H., Vereinfachte Harmonielehre oder die Lehre von den tonalen Funktionen der Akkorde, NY – L., 1893 Reger M., Beiträge zur Modulationslehre, Münch., 1896, 1901 (mu kumasulira kwa Chirasha - O, 1903, modulation). Schenker H., Neue musikalische Theorien und Phantasien, Bd 1922, B. - Stuttg., 1926, W., 1; Handke R., Der neapolitanische Sextakkord in Bachscher Auffassung, Bach-Jahrbuch, Jahrg. 1906, Lpz., 1956; Montnacher J., Das Problem des Akkordes der neapolitanischen Sexte…, Lpz., 16; Piston W., Harmony, NY, 1920; Stephani H., Stadien harmonischer Sinnerfüllung, “Musikforschung”, 1934, Jahrg. 1941, H. 1956; Janecek K., Harmonie rozborem, Praha, 9.
Yu. H. Kholopov
